Last Thursday in Portland

Mr.Mr. and I headed over to Alberta street last week for the famed Last Thursday Art Walk. We had heard a number of conflicting opinions on its popularity and were hoping to swing by the stand of a fellow Scrap-er to check out her crafty wares. Little did we know, the entire street was closed to traffic and event staff had been hired to coordinate the evening's vendors and visitors. Needless to say, I've never seen more people in one place in Portland like this. It was the capacity equivalent of a large annual street fair like those held in Seattle (think Fremont Solstice Parade, UDistrict Street Fair, or the Ballard Sunday Market on speed)... only this happens every month.

One artist we spoke to seemed to think the event was on the verge of collapsing in on itself due to the size. According to him, the event had evolved dramatically over the past five years and both patrons and vendors were reaching a saturation point. Adding fuel to the fire, the Last Thursday event is a largely unregulated free for all when it comes to setting up and maintaining a booth. It's first come, first served for space on the busy sidewalks and there are no entry requirements or booth fees. If you're picking up what I'm laying down, this means the city of Portland is both opening themselves up to potential safety/legal issues and passing up a big opportunity to turn a profit on this year-round, popular event.

Logistics aside, we made the grave mistake of parking on the East end of the street which resulted in our walking directly into the sun for the entire length of Alberta, shielding our eyes with the Noir issue of Bitch magazine we picked up for free. The discovery of the evening was the work of the very talented Yellena James on display at the Together Gallery. Ms. James crafts gorgeously vibrant pen and ink drawings on clay board that seem to be a combination wandering notebook doodle and naturalistic illustration from some psychedelic hiking guide. Bright colors pop out among undulating tendrils and cellular shapes, creating a fantastic combination of pattern and color. I am absolutely smitten with her work and will have to begin saving some serious pennies to add one to my collection sometime soon. Check out Yellena's work or visit her blog to see for yourself.

Awe

Gustavo Aimar's blog, La Mesa de Trabajo (The Month of Work) chronicles his mixed media collage and illustration work in photographs of his studio, works in progress, and completed pieces. I am completely struck by this one in particular.

There's something captivating about the detail of this figure. The delicately ornate eyelashes, straightforward and expressive eyes, high, rouged cheeks and Mona Lisa-like, reserved smile. The punctuated eyebrows and halo of blue around the face add a really interesting element and the chalk-white pallet of the face is so great. of At a mere 36 years old, this native Argentinian is a true talent and artistic inspiration. Not to mention I completely envy his studio and collection of antique papers.

New mantra

"Everyone does better when everyone does better. "
Paul Wellstone

(As seen on a bumper sticker posted in a jeweler's workspace at The Shop People Industrial Arts Club in NE Portland.)

This couldn't possibly be more true.

Holy

Crap.

...I know I'm just a pawn in this whole "vintage papers" game but seriously. For reals.

Just a sneak peek at what's on offer at Papier Valise.

Things to do

-Learn calligraphy (properly this time)
-Begin collecting old stamps
-Buy a super eight camera
-Listen to more music music
-Use my gocco more

Work in progress

I've recently been trying to learn how to balance my desire to be fit (eat right, go for walks, go to the gym, sleep enough)- with my desire to be creative (stay up late, snack intermittently, watch tv while I work, stay indoors huddled over my table). You would think I could do both but strangely I have yet to master that. It seems my window of opportunity for any type of forward momentum (be it physical or mental/creative), is a rather small one that typically occurs during sunlight hours. I've tried all types of routines lately... each for more than a couple of weeks and at least one for almost a month. To no avail. You would think with all the time in the world on my hands I could sort out my own circadian rhythm- but it eludes me still.

In the meantime I've begun work on a new collage. It's anchored in a photo of three small girls standing together, and I started sketching out an idea for it in my moleskin about three months ago. Finally, the piece is slowly coming to fruition. Here's a sneak peek at the subjects... more to follow once it's complete.



I love the little girl on the left. She's got a massive mess of hair framing her face and if you could see the rest of the image, you'd be charmed by her proud rotundness as she stands with hands tucked neatly behind her tilted torso. The girl on the right reminds me of a young Jackie Onassis. And it's hard to tell but the eldest of the three has the slightest smile playing across her lips that I rather enjoy as well. Potential a plenty.

Inspiracity

Lisa Hannigan - Lille from ATO Records on Vimeo.

Travel made [more] tolerable

Check out this clip on YouTube of a unique pre-flight experience. I'll be crossing my fingers that the next plane I board has an equally talented crew.

Thanks MYM!

Patio Days

The spring/summer patio in all its camping-geared glory. The random green bin is going to be our master composting spot. Once we get a lid and get it straightened out.

To the left are our mizuna starts and an herb pot with sage, cilantro, parsley, and dill. To the left are the plants that require some space of their own: rosemary and chives. The two empty pots wil hopefully hold the beginnings of carrots and fennel.

Our pea starts are already growing... about a half inch last night alone!

You can just see the tiny tendril of a brave pea shoot setting his anchor to the hanging wire, preparing for a long climb.

Our lovely outdoor table and the new geraniums that can be seen from indoors as well. At night, the string lights and candles make a lovely light by which to enjoy a fine take out meal from Cha Cha Cha or a round of speed Scrabble.


My tiny gardening table made from cinderblocks and a pretty piece of recyled glass from SCRAP*. And yes, those are mini-kegs in the recycling bin. Mr.Mr. loves himself a mini-keg. The white pail will be used for food scraps to be composted. YAY!

*SCRAP is quite possibly, the best place ever. Please check it out.

p.s. I'm posting this from the patio to be as authentic as possible. Got to love the laptops.

A storm's a brewin'

A BRAINstorm, that is. I've been trying to think of a clever business name to successfully umbrella all the craft things I've been making or thinking of making lately. I'm also considering which small-sales website to use for said business (i.e. Etsy [again], or Big Cartel, or some other site) and how best to garner some attention and sales. And as I tried desperately to fall asleep last night (three- count them, three hours after downing a vietnamese coffee milkshake with chocolate syrup*) I wondered- do most people brainstorm with their eyes open or closed?

I lay there, eyes closed, thinking that was half way to sleep, right? And realized that I may actually be more creative with my eyes open... able to look around me for inspiration with colors, real items, words, etc. So that got me thinking: What are the elements of a perfect BRAINstorm for you? How do you come by your best ideas?

*I'm still recovering from the tonsillectomy, okay- I'm allowed to eat anything I want! ...As long as it's pureed.

Dancing Queen

Why is it that I've never been recruited to take part in this type of AWESOMENESS?

Watermark

New work. This is the second in a series of pieces using formica, laminate, and veneer samples as my "canvas" and incorporates paper, thread, antique photos, an antique letter (1920), and tibetan prayer paper. The text reads, "for a little while."

Jet setting with Salty (Part IV, Section II)

Taking in the sights at the San Francisco Museum of Modern Art, we enjoyed the special exhibit of Martin Puryear's wood sculptures as well as the highly entertaining interactive components of The Art of Participation. I definitely recommend both... and this is from the Fine Art major who typically lasts all of thirty minutes max at some of the most esteemed museums and galleries.

I have to admit though, I was taken with the gift shop. Mr.Mr. gets the MOMA catalog from time to time and I typically shrug it off as hawking over-priced knick knacks. But some of their stuff was altogether too cool to avoid taking note of to share with you all. I wasn't able to find all my favorites on their site so I had to do some sleuthing. But here you are:

Edamame Chopstick Rests

found on Dean and Deluca

5 for $35.00

Cast iron molded with a green

patina finish.

-Cute and affordable.

Daily Aesthetic Ceramic Canisters

found on Seletti's site (Italy)

$16.00, $20.00, & $40.00 respectively

Porcelain with silicone gaskets

-These would make great sugar, flour, and

brown sugar containers for the counter top.

Soehnle Page Digital Kitchen Scale

found on Chef Tools.com

$39.99

-We have a red theme going on in our

kitchen and this slim jim would fit

in perfectly. AND I could finally

measure out 3 oz. of ginger

accurately!

Cubix Lamp by Catherine Mui

available through the SF MOMA

$70.00

-I love that this is interactive. The

design is relatively simple but the

execution is brilliant. Literally.

I am not a paper cup

found on Perpetualkid.com

$19.99

-A little twist on DuChamp's classic... I like the idea but I'm not sure I could hang with the chalky-feeling, matte finish. I imagine difficulty in cleaning it and stains a plenty. Nonetheless quite cool.

Bleached Oak Cuckoo Clock

found through Yahoo! at SF MOMA

$398.00

-This tones down your traditional ornate cuckoo clock and reiterates

the popular nature silhouette I've been seeing a lot lately. I might paint

mine black or some other singular color though.

Hansel & Gretel illustrated by the fabulous Jen Corace

found on Amazon.com

$11.55

-Ms. Corace has a way with colors and her drawings are captivating. I can imagine any child enjoying this new rendition of a classic favorite. I also enjoyed the Drop & Splash bowls ($12.00 each), the Double Bowl ($34.00) and a set of clever Happy Holidays and Non-Holidays cards- customizable for the occasion (6/$14) from Quiplip.

And finally, Part V, the final leg of our San Francisco trip will post soon.

All photos care of the credited websites.

Jet setting with Salty (Part IV, Section I)

I love the San Francisco Ferry Building Marketplace! All these awesome small-ish vendors are housed in a beautiful old building on the docks, with vaulted ceilings and huge windows to let the sunlight pour in while the chilly air stays out.

It just so happened to be the Mycological Society of San Francisco's Fungus Fair while we were visiting and man- never before have I seen such an odd conglomeration of mushrooms. From all manner of containers... bags, jars, cartons, etc. were sprouting the spongy umbrellas of a variety of fungi. I'm not even a big fan normally but something about their massive organic shapes and neutral tones begged me to take a stowaway for the plane ride home. In the end I resisted the urge in order to avoid any run-ins with the Department of Agriculture.


These cute, squat, 7.5 oz glasses were also hard to resist at The Gardener. I'm not sure what it is, but somewhere in my genetic code- buried deep between my pack-rat codon and and my decorating codon, is one for oggling glassware. Despite having plenty at home, I have to use the force for good and not evil [read: collecting massive quantities of unnecessary housewares] to avoid grabbing any liquid vessel in sight. At $4.00 a piece, a set of six wouldn't have broken the bank but I remained strong. Interestingly, I also heard recently that when drinking from short, wide glasses, our brains are fooled into drinking more. Hmmm...

I love what people are doing with merchandising these days! So clever. Also at The Gardener, the natural woods and cast iron panel make a fantastic backdrop for the softer fabrics and glass baubles on display. Secretly I'd like to imagine a time when I can craft these sorts of interior collages so I can live out my fantasies of a staged home without actually having to live in a shop window. This particular shop transformed a typically cold space, with floors of industrial gray, poured concrete, into a warm and inviting home decor destination.

Glasses! Again! This time from The Kingdom of Herbs. Focusing primarily on buds and blossoms, with a healthy accent of indoor and outdoor gardening accessories, KOH felt like an verdant indoor forest retreat. Several items caught my eye- not the least of which were these glasses in a wire tray or a collection of bark-covered storage boxes stacked by the register.

These simple pots with loose geometric shapes carved into the glaze were... I'll say it... precious. Really. Paired with a small, baby succulent, these would make a great addition to a compact workspace or maybe do time kitchen-side to bring a little nature indoors. Also from The Kingdom of Herbs.

I should be banned from Sur la Table. Despite our massive collection of kitchen, and kitchen-related goods, it's nearly impossible for me to leave the store without some new thing I just can't live without. And during their holiday sale, they were offering 20% off their classy collection of cloches. Just say it with me: cloche. Finally SLT has caught on to the trend that swept across homes, stores, floral shops, and the webernets at large a year ago (or more)... satisfying our dark, inner desires to make the most common of items- a lemon, a cupcake, a pine cone or small potted flower- display-worthy under the delicate bell shape of these glass beauties. Ultimately, I was weak. So weak. To avoid mid-flight glass breakage, I waited until we landed back in Portland to buy the two middle sizes. And my lemons and shallots have never looked so regal.

Stay tuned for Part IV, Section II to hear about all the things I wanted to buy, but didn't at the San Francisco MOMA.

Getting framed

A couple of weeks back it crossed my mind that a smart artist on a limited budget (that's me) would get crafty and learn how to frame their own work. Given my past experience framing some Flatstock posters by Chicago's Jay Ryan of The Bird Machine, I learned the hard way that framing is not cheap. Don't get me wrong- framing is not the easiest thing in the world and using good materials like attractive moulding, ph-neutral matting, and museum glass will never be inexpensive. But- there's definitely another way.

Scouring the interwebs for tutorials, I came across the Portland Free School- one of many community-run organizations dedicated to offering instruction on a variety of subjects, taught locally by people in the know. I don't specifically say, "experts" because pretty much anyone is welcome to "teach" a course through the Free School. Have you mastered the art of macrame plant hangers? You could teach a class. You get the picture. So the downside is that your "teacher" may be the guy from the coffee shop. The upside is that you can meet people and learn new skills that you might otherwise be unable to afford to learn in a traditional setting. I'm a fan thus far.

It was through the Free School that I came across a class being offered at a place called Artery (disclaimer: there's not much on the site yet). This gallery and frame shop aims to offer a more creative solution to framing than your average U-Frame It, and a more affordable alternative to folks in the price-range of say, Museum Quality Framing. Their plan to accomplish this goal is to offer the space and materials for artists (and Joe Public) to choose the bones of their project (frame, mat, & glass), and then guide them along a path to customizing their frame.

For me, this meant that I chose a 5" x 7" unfinished wood frame for $12 and was given free reign to use the brushes, paints, dryer, masking tape, and finishing sprays to create a decorative finish. I began with something resembling an upscale Ikea frame, and finished with this:

It may not look like much but I started with a basic red acrylic, and used a flat brush with a combo of gold and bronze paint to create a vaguely fan-shaped, all-over pattern over the base. Finally I created a black border around the edge of the frame closest to the wall to add interest.

Honestly- I was really pleased. And I get the impression that the possibilities are virtually limitless and entirely dependent on just how much time and money you want to spend. Of course- had I wanted to frame an actual photo or piece of art- the price would have increased with the mat (about $7), the glass (about $7) and the fitting (up to $25). All prices are based on the size of your frame and there's a decent selection of pre-made frames as well as custom materials.

Since the workshop, I've finished another frame at home using my cordless dremel, some black and white acrylic paint, and a satin varnish spray. (I repeated the graduated pattern shown on the opposite side of the frame as well.) At this point, I'm thinking the techniques I learned could prove very valuable in elevating the frames I use for my collage work and that the friendly and knowledgeable staff at Artery are at the ready should I need some additional support in the construction arena.

On December 5th, Artery will host another frame clinic geared toward holiday shoppers looking for creative, affordable gifts. The word is, for $10, you can decorate and frame a photo or other work in a 3" x 3" ornament-style frame with help from Debo Kerr and Artery staff. Space is limited but I've already reserved my spot. If you're interested, follow the link. Cheap is definitely the new black this Christmas/Non-denominational December holiday.

Artery

4114 N. Vancouver Ave.

Portland, OR, 97217

Jet setting with Salty (part II)

Okay- I took 73 photos on our second day in San Francisco so you can begin to understand why this post has been so egregiously delayed. Here are the highlights:

Just a visual taste of what dazzling desserts are on offer at Tartine Bakery in the Mission. Having heard a ton about the delicious treats these folks whip up, I asked for the cookbook last year for Christmas. Packed with photos of beautiful tarts, cookies, and cakes- I expected a Willy Wonka-style feast upon arrival. I was slightly underwhelmed by the scale of the bakery in person but I was still impressed by the perfect lemon meringues and sculptural baked goodies.

For lunch, Mr.Mr., his brother and I, and a former co-worker in town for the day, enjoyed a round of sandwiches from their lunch menu. While each was a bit on the oily side and heavy on the carbs with each hefty slice of bread- the fillings were quite good. This particular sandwich was a fresh basil spread with ham and with melted mozzarella. My favorite part by far, was the tiny pickled carrot that accompanied each plate... a perfectly tangy match for the overindulgence of cheese and meat.

This central mural adorns the facade of the Women's Building. Truly the crowning glory of a work that spans the entire building from the pavement to the roof- it shows a female at the center of a huge, colorful, flower-like form- with her pregnant belly exposing a baby in utero. the entire thing was breathtaking and I can't even begin to imagine how long it took to complete. Amazing.

If you're in the market for dead things- Paxton Gate is the place to find them. From taxidermied mice (with or without costumes), to squirrel skulls, penis bones to sea urchins- they've got it all. This place has such a curious collection of oddities that I couldn't resist. I picked up what I believe to be a sort of petrified starfish for three dollars flat and had to resist the urge to buy a collection of leaf fossils and tiny glass vials with rubber stoppers for future use [to be determined, of course]. At first a very creepy shop, Paxton Gate quickly grows on anyone with a sense of history or an appreciation for nature.

And fortunately, the ratio of dead to alive items is balanced out nicely with a collection of plants and containers in the back of the store. If I had $200-300 on me, I might have caved and bought one of their beautiful metal [mini] greenhouses. The detailing on each was very nice and I could see using them both in and outdoors.

Love thy neighbor? This type of city planning combined with residential construction is what I call, "too close for comfort." While the architecture of the city is admirable- I think I would miss the green gardens, grassy yards, and sense of privacy that a five foot buffer between buildings just can't afford.

I spotted this beautiful teal couch at X21 Modern. I think it's what most would call, Hollywood Regency or some such nonsense- but I call it gorgeous. I can just picture it in a room with lush, baroque wallpaper (like this) and a few of those round, glass, bar tables that are edged in silver with rolling feet. "Help me put on my mink stole, won't you, dear? Where's my cigarette holder?"

These over-sized, wooden letters were also on sale at X21. While the scale of our apartment couldn't bear their addition- I really like the weathered look and the shape of the font.

Ahhh- Bi-Rite. Heidi of 101 Cookbooks recommended this market as her go-to destination and I can totally see why. While diminutive in size- Bi-Rite packs a visual punch with its displays of fruits and vegetables cascading out of wooden baskets and offers a smorgasbord of samples for the wary market-goer. I was particularly impressed by the Wall of Cheese. Any shop that dedicates this much square footage to dairy products- gets my vote.

Stem is a cute little boutique on 18th that seems to have joined the ranks of floral/gift shops offering a smart variety of low to mid-priced bits as well as arrangements to order. I found these adorable clay stones with words like, "Grow," "Ponder," and "Belong" stamped into them in a turned wood basket. I think they're made by the same person who made the "Vote" rock featured on a couple of other design blogs around election day.

These tree bark wraps were also appealing (no pun intended) and made for a nice display element with the moss and wrapping paper. The entire aesthetic of Stem was very calm and woodsy-feeling. The dark hardwood floors were a great compliment to the large window front and warm grey tones on the wall.

We had to stop twice at the Bi-Rite Creamery during our five day trip. You know that's a good sign. This small companion shop to the aforementioned market offers about 16 flavors- four or so are traditional, and the rest ratchet up the creativity a bit. The first time around I gorged myself on salted caramel and malted vanilla with chocolate and peanut brittle. I was painfully full for about two hours after the fact and would highly recommend the kiddie size. The Creamery pulls out all the stops when it comes to quality ingredients and amazing flavors. Trust me- you can always go back for more. And I did- but I kept it simple and went with the malted vanilla again... this time in the kiddie size.

The last stop of the day took us over to the Double Punch gallery to see the San Francisco installation of Seattle's original Plush You! show. Double Punch is a cute little space with the top floor dedicated to a cozy gallery space and the bottom floor artfully arranged to capitalize on storage and display of collectible figurines, japanese toys and other gifts. The show's curator, Kristen Rask did a fantastic job bringing together some very talented folks to show SF how plush is done. The above preying mantis was created by Hansigurumi of Seattle, WA.

This delightful "cotton monster" was crafted by Jennifer Strunge of Baltimore, MD. Jennifer also had some pieces in the Seattle show- one of which you could actually put your whole hand into, from it's mouth down to its belly. Very impressive.

Stay tuned for Part III of my San Francisco trip. All I'm going to say is that there will be goats. Lots and lots of goats.

Cleansing the pallet

Take a deep breath with me- all the way down to your belly button. Hold it for the shortest of moments- and release.
I have finished another tiny (2" x 3 5/8") piece of art and damn, does it feel great. Let's hope this is the start of something good.

More on San Francisco, my adventures in framing, and this week's movie to come over the next couple of days.

New school

Exhibit A: New School = (Old School + duct tape)

Hear ye, Hear ye San Franciscans!

If you live in SF or know people that do, please allow me to live vicariously through you and attend the You Bazaar on November 2nd from 10am - 5pm. Admission is totally free which is great. This crazy awesome crafting event is brought to you by the clever people of Bazaar Bizarre and it's a great opportunity to put all your pre-election energy to work on an art project, shop handmade for the holidays, and meet creative people in the Bay area.

Mr.Mr. and I will be in SF shortly thereafter to visit his brother and check out the Plush You show opening at Double Punch Gallery on November 7th. Our friend Kristen from Schmancy is the creater and curator of the show and this is her first foray back to her old haunting ground for a follow-up to her wildly successful Seattle show. If you don't know Kristen yet, make it a priority. I hope you can make it.

Double Punch
1821 Powell Street
San Francisco, CA 94133

A long time coming

Some time ago I said I'd post the fru-its of my artistic labor. Then I quit my job, moved, got a job, got laid off from said job, and became a professional pajama model. So without further ado I present my three recent works shown back in August at Luxcollective.



I'm trying to carve out some time in my busy schedule of Facebooking, baking cookies, tending my tiny yard, and catching up on The Wire to make some more art but you'd be amazed at how easy it is to put off. However, the photos are out, I've gessoed my surfaces, and the paper is somewhere around here too. That's progress, friends- trust me. More later.


Oh, and every time I write "a long time coming" I think of this song.